Update: Still Alive
I would like to apologize for the lack of updates in the past month, as I have been rather busy on a litany of projects and LIDF kind of slipped to the ways side. Primarily I have been trying to polish up my scanning series, so that as the articles drop, they will be solid off the bat.
Good news though. Saturday will be the first official post in the scanning series and it will be looking at software. For those of you activly scanning already it may not be of much interest, but I feel that the choice of scanning software is second only to choosing you scanner. I won’t touch on what scanners to use, as there are differing needs and differing capabilities. However I have a few reviews waiting in the wings of the units I am familiar with, and if any of you have a scanner you would like to review, e-mail me what you got and I will run it on LIDF for all to see.
But that is coming this weekend, so look for it.
Also, since I already have you here, I would like to direct you to one of my favorite blogs I have came across in recent months. 1/125 (http://one125.net) is the creation of Nick Shere (@kukkurovaca ) and Karl Gunnarsson ( @kalli) and is a refreshing view on the world of photography. It is a tum-blog, so the posts are usually short, full of opinion and entertaining as hell. Both guys are good photographers with unique outlooks on photography, both the act of and the photographic world in general.
I highly recommend you give 1/125 a look. It covers opinions on classic works, current events and thoughts on photography. Much like me, both Nick and Karl are hybrid photographers, utilizing both film and digital in their work, so I feel their opinions may well be of interest to many LifeInDigitalFilm fans.
Also, while you are purveying the web, make sure to drop by X-Equals and check out my latest piece there, covering a quick workflow to fix bad exposures.
Anyways, just wanted to check in since I had a few minutes, I’ll see ya this weekend when we take a look at scanning software.
Later all,
Michael
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