And finally, a new preset. In fact there will be a couple of presets in the next few weeks. Primarily to save me time. A release of a preset I already have done take very little time, whereas the longer posts I have been writing take a considerable amount of time. Right now I got some pretty special projects I need to pay attention to, so I need to ease up a bit on writing to focus on these tasks at hand. Of which completing the guide to Cold Storage 2 is at the top of my list. Yep, I finally got another batch of Film Presets ready to sell, but I need to make sure the guidebook had all the tips needed to get the most out of the presets.

And then there are a few more thing coming up that I will fill you in on as time gets closer. Something big is coming, but I can’t say more than that except don’t switch to Aperture!

On the note of other projects, LifeInDigitalFilm has teamed up again with X-Equals; this time providing a collection of presets to give your creativity a kick in the pants. X-Equals and LifeInDigitalFilm are proud to release our newest product, Creative Production Presets Vol. 1. This collection brings together many of the creative presets that have been provided through X-Equals, designed both by Brandon and myself. With more than 75 presets you should have plenty to experiment with to help you unlock your creativity. At $14.99 this collection is a bargain compared to many similar creative preset collections with the added bonus to LIDF reader, a selection of film emulations including some unreleased. Hop over to X-Equals and check it out and consider supporting both X-Equals and LifeInDigitalFilm by making that purchase.

Now onto the matter at hand. We got a unique preset today that you would never see in the real world, due to technical difficulties. You never see Kodachrome treated with bleach bypass development. First, only Dwayne’s of Parsons, KS still develops the stuff so special processing is hard to come by. Second, the K-14 process is unique and I am unsure if it is even possible to perform a bleach bypass on the film. Finally, there is already some residual silver present in most Kodachrome slides, and if completely lef tin, the silver may make the image too dense.

However, I can emulate the probable appearance of a Bleach Bypassed Kodachrome. Obviously this is a stretch, but the world of digital allows us some liberties with reality, right? The Kodachrome Bleach Bypass preset has a tone curve and other setting reminiscent of my other bleach bypass endeavors while stealing the basic color from my Kodachrome 25 preset. I had to adjust the color on the Kodachrome 25 settings to allow for reasonable skin tones for the bleach bypass look, but aside from that it is still fairly faithful.

This is designed to be a fun, creative preset whilst staying in line with the film focus of LifeInDigitalFilm. The concept is firmly rooted in the traditional photographic world in theory if not in practice.

Have fun, and if you are interested in my more creative presets, not limited by the confines of traditional photography, check out my preset work over at X-Equals.

Until Later,

Michael